Freya

✒️Edit
Freya
Chat
Gender: Female
Height: 170cm
Japanese Name: フレイヤ
Chinese Name: 芙蕾雅
Korean name: 프레이야
like count: 1
I this character

🎙️ Anime Voice Actor

Edit
Youko Hikasa
Youko Hikasa
Japanese(Anime、Voice Actor)

🎬 Appearing Anime

Edit
Is It Wrong to Try to Pick Up Girls in a Dungeon?
Is It Wrong to Try to Pick Up Girls in a Dungeon?
Release date: April 4, 2015
Sword Oratoria: Is it Wrong to Try to Pick Up Girls in a Dungeon? On the Side
Sword Oratoria: Is it Wrong to Try to Pick Up Girls in a Dungeon? On the Side
Release date: April 15, 2017
Is It Wrong to Try to Pick Up Girls in a Dungeon?: Arrow of the Orion
Is It Wrong to Try to Pick Up Girls in a Dungeon?: Arrow of the Orion
Release date: Feb. 15, 2019
Is It Wrong to Try to Pick Up Girls in a Dungeon? III
Is It Wrong to Try to Pick Up Girls in a Dungeon? III
Release date: Oct. 3, 2020
Is It Wrong to Try to Pick Up Girls in a Dungeon? IV
Is It Wrong to Try to Pick Up Girls in a Dungeon? IV
Release date: July 21, 2022

Character Setting

Edit

Freya is a major heroine and the principal goddess of the Freya Familia in the light novel series *Is It Wrong to Try to Pick Up Girls in a Dungeon?*, depicted as a peerless goddess of beauty, a hidden final boss, and one of the most feared and influential deities in Orario.

Name: Freya

Race: Goddess

Gender: Female

Age: Several hundred million years old (chronologically)

Height: 170 cm

Occupation: Main goddess of the Freya Familia

Affiliation: Freya Familia, later formally dissolved and then retained as a “subordinate” group under Hestia

Residence: Top floor of Babel Tower in Orario (formerly), later living as Syr Flover in the “Hostess of Fertility” inn

Voice Actress (anime): Yoko Hikasa

Freya is one of Orario’s strongest faction leaders and one of the setting’s foremost goddesses of beauty and fertility.

She is notorious for her overwhelming charm, her obsessive pursuit of a worthy consort, and her ability to manipulate the city from the shadows.

She is a central character in the side story *Familia Chronicle: Episode Freya*, where she serves as protagonist.

Within the main story, she is initially an enigmatic background force, later revealed to be deeply and personally involved with Bell Cranel’s growth.

Her character is loosely based on the Norse goddess Freya, a deity of beauty, peace, and fertility.

In-series, she is likewise counted among the gods of fertility and is associated with love, heroes, and the essence of the soul.

Freya possesses silver hair and silver eyes, standing out even among gods as an unparalleled beauty.

Her beauty is described as serene and moon-like, a quiet and transcendent “pure beauty”.

Her skin is pale and clear like first snow, and her figure is described as a perfect “golden ratio” brought to life.

She often wears a provocative dress styled after flames, which accentuates her porcelain-like body and exudes the sensual allure characteristic of a beauty goddess.

Even among already attractive deities, her appearance is “beyond comparison”, to the point of being almost unreal.

Her mere presence can dominate a room, and her gaze alone can feel like an act of seduction.

Freya is willful, capricious, and completely free in her behavior.

Even among gods of beauty, who are often difficult personalities, she is a particularly dangerous trickster-like figure.

She behaves very much like a mythological goddess who bestows blessings or ruin on a whim.

For example, she might overturn a losing prince’s war because she “took a liking to him”, or engineer the downfall of foolish nations that wage wars for stupid reasons.

If she wants a promising mortal, she does not hesitate to use force, causing frequent conflicts with other familias.

Her arrogant, queen-like demeanor has earned her the hatred of almost every other goddess in Orario, something she largely ignores.

As a goddess of beauty associated with love and lust, she is very sexually free and pragmatic.

She has had relationships with most male gods in Orario and has a large number of male “sympathizers” and admirers.

Despite this, she is not mindlessly cruel; she is driven by genuine emotion, curiosity, and a deep craving for something that can free her from her own godly “curse” of beauty.

Her interactions often blur the line between kindness and selfishness, charity and manipulation.

Freya is a beauty goddess whose primary authority is charm.

Her divine charm can enthrall others and bend them entirely to her will, effectively turning them into puppets.

Only virgin goddesses who preside over chastity have inherent resistance to such charm.

Even among beauty goddesses, Freya is exceptional; only the three great virgin goddesses of Olympus possess authority strong enough to reliably resist her.

Because of this, Freya is known as the “Witch of Command”, able to control armies without fighting herself.

In the past, she has used her charm to drive an entire army—guilty of atrocities—to commit mass suicide.

Her charm is powerful enough that, if fully unleashed without restraint, she could effectively control the entire lower world.

However, she personally considers routine use of charm to manipulate others “beneath her dignity” and has long avoided using it casually.

Her own familia members are not charmed into loyalty.

Instead, they pledge themselves to her out of genuine devotion, gratitude, and awe for the goddess who saved and accepted them.

Freya can also see the color and quality of souls, a unique perception that guides her choice of followers.

The Freya Familia is composed solely of those whose souls she deems “beautiful,” a trait strongly correlated with potential and talent, explaining why her familia is full of elites.

Freya reveres not only love but also courage and heroism.

From the heavens, she had already been collecting souls of famed fallen heroes, drawn to the essence of their spirits.

Her ability to see the “true color” of a soul is at the core of her fascination with mortals.

For her, a soul’s beauty is more important than lineage, fame, or status.

When she glimpses Bell Cranel’s soul, she sees a color of purity and clarity she has never witnessed before.

This immediately marks him as singularly precious in her eyes and the ideal candidate to become her chosen hero.

Her obsession goes so far that, if Bell were to die and his soul return to heaven, she would follow him even knowing she could never descend to the lower world again.

In other words, she is willing to abandon everything for the sake of that single soul.

In the heavens, Freya was already searching for a consort worthy to stand at her side.

She roamed the world after descending to the lower realm, collecting promising souls and seeking her ideal partner.

At some point, she clashed with Hera and lost.

As part of a prior agreement, she was then bound to cooperate with the “World-Saving (Makia)” efforts centered on Orario.

Because she lost many familia members in that conflict and was forcibly tethered to Orario, she harbors resentment toward Hera.

Freya has long dreamed of someday pulling Hera down from her “throne.”

Her forced involvement in Orario’s dungeon conquest is halfhearted; she does not personally care much about the dungeon’s secrets.

Thus, she leaves most everyday operations of her familia to her executives and treats adventuring more as a stage for her chosen souls than as a mission.

The Freya Familia is one of Orario’s most powerful familias and a central pillar of the city’s defense.

Its members are elite adventurers, most of whom have tragic or disadvantaged backgrounds.

Freya tends to recruit people who were not blessed by family or environment.

She offers them salvation and a place to belong, creating fierce loyalty.

Her children are completely devoted to her, seeing her as the one who rescued them and gave them a home.

They willingly fight and die for her without needing supernatural compulsion.

In terms of raw force, the Freya Familia can crush entire armies.

Freya herself, if she chose to fight with her charm, can command “armies” without lifting a weapon, making the combination terrifying.

Even after the official “dissolution” of the Freya Familia after the Faction War, its members remain in Orario.

They are effectively still a united force, now framed as followers under Hestia’s authority and tacitly tolerated by the Guild and other gods.

For most of the story, Freya is linked to Syr Flover, a gentle waitress at the tavern “Hostess of Fertility.”

Freya calls Syr her “daughter” and often watches Bell through Syr’s interactions.

In volume 16, it is revealed that Syr Flover is actually Freya herself, with her divine aura suppressed and her appearance altered.

Freya created Syr as a role to play, a “daughter” persona meant originally as a distraction and pastime.

The apparent times when Freya and Syr existed separately are explained by Horn, a female member of her familia.

Horn used a transformation spell to masquerade as Freya while the real Freya acted as Syr.

Freya believes Syr to be a “false image,” a form of roleplay rather than her true self.

However, Syr’s clumsy and kind behavior, her love for children, and her simple wish “to be beautiful for someone else’s sake” reflect Freya’s genuine heart.

In reality, Syr is closer to Freya’s true self—her “unmade-up face”—while her goddess persona is the perfected, heavily made-up mask.

Freya herself, however, does not fully realize that Syr is her own heart speaking.

Freya’s beauty authority is so absolute that she can make almost anything bend to her will.

Paradoxically, this omnipotence brings her deep loneliness and a sense of futility.

She calls her beauty authority the “yoke of the goddess”, something that binds and imprisons her.

She longs for something—or someone—that can free her from this curse.

A fellow goddess from her homeland, Idun, once told her that a true “consort” would be the one to release her from this yoke.

Freya believed these words and began searching in earnest for a partner who could save her.

Yet, despite centuries in heaven and the lower world, she found no one who could truly liberate her heart.

She spends nights in tears over the absence of her longed-for consort.

She started “being a daughter”—living as Syr—simply as a way to kill time and dull the emptiness.

However, as she worked at the Hostess of Fertility, she came to cherish that quiet life and her fellow workers deeply, without admitting that Syr’s feelings were her own.

The tragedy is that Freya decides Syr is unnecessary and discards the “daughter” persona just as it is drawing closest to her true wish.

She does this without realizing that her deepest desire is precisely to live as that simple girl, free from divine constraints.

Initially, Freya is merely fascinated by Bell Cranel’s impossibly pure and transparent soul.

She wants to nurture him into a hero worthy of her and eventually claim him as her own child—and possibly consort.

Her involvement begins long before Bell meets her face-to-face.

From volume 1 onward, she secretly engineers trials and opportunities for him.

She orchestrates Bell’s encounters with monsters like the Silverback and the One-Eyed Minotaur as “tests” to spur his growth.

Through Syr, she arranges for Bell to receive a magic grimoire to awaken his magic.

She also interferes indirectly with Ais Wallenstein, Bell’s idol and combat teacher, out of jealousy.

She sends Allen Fromel and the Gulliver brothers to harass Ais as a warning, showing how possessive she is over Bell.

Freya’s direct first meeting with Bell occurs at the divine banquet hosted by Apollo.

There, she caresses his cheek and says, “Won’t you show me a dream tonight?”, provoking Hestia’s fury.

From that moment, her interest in Bell is no longer hidden.

She toys with him and his fate but also supports him from the shadows in critical moments.

Her obsession grows so intense that she eventually destroys the entire Ishtar Familia simply because Ishtar tried to use Bell to spite her.

For Freya, Bell is not just another collection; he is her singular treasure.

As Syr, she confesses romantic feelings to Bell during the Goddess Festival at the same place where she first expressed “liking” him.

Bell rejects her because he cannot betray his own “aspiration” and ideals.

Later, after the Faction War, Bell’s role shifts from potential consort to something more grounded and human.

He pledges himself as Freya’s “knight,” promising to watch over her and prevent her from making such mistakes again.

Hestia is Bell’s patron goddess and a virgin goddess.

She is, in many ways, Freya’s opposite: small, modest, chaste, and openly honest.

Hestia is uncomfortable and wary around Freya, both as a beauty goddess and as a rival for Bell’s affection.

Freya, however, genuinely respects Hestia as a fellow goddess.

Freya believes Hestia’s “Eternal Sacred Flame” is more valuable than any gold.

She also admires the way Hestia lives true to herself without disguises or masks, something Freya herself fails to do.

Despite being rivals in love, their lives and actions mirror each other in many ways.

They both love Bell deeply, both shelter misfit children, and both secretly support Bell’s growth from the very beginning.

Freya and Hestia’s similarities include:

– Both are clumsy and often fail at ordinary work.

– Both are adored by the children at the orphanage.

– Both lead familias composed mostly of people with harsh or unfortunate backgrounds.

– Both immediately liked Bell at first sight when other familias refused him.

– Both quietly watched over and supported Bell from the start.

– Both prepared extremely valuable items for Bell: Hestia’s Knife and Freya’s grimoire, amulets, and assistance.

– Both have received a lap pillow from Bell.

– Both had their first-ever true romantic feelings (after ages of life) directed toward Bell.

This parallel is ultimately reflected in Bell’s unique skill “Vana-dís Tevere (Beautiful Captivation Resistance / Beautiful Flame Shield)”, which stems from his feelings toward both Hestia and Freya.

His promises to them are also mirrored: a “Bell” hair ornament for Hestia as family, and a “Knight” hair ornament for Freya as the goddess he will protect.

Loki

Loki is a long-time acquaintance from the heavens and a rival faction leader in Orario.

Their familias are often set at odds, but personally they are more “old enemies” than true foes.

Loki is one of the few who noticed that Freya and Syr are the same person.

Even she, however, failed to fully grasp that Syr reflects Freya’s true heart.

Demeter

Demeter is one of the very few goddesses who actually likes Freya.

Both share an association with fertility, and they occasionally bathe together in sacred baths.

Demeter and Freya’s friendship is shown more clearly in the mobile game *Memoria Freese*.

There, their interactions highlight Freya’s more relaxed, less combative side.

Ishtar

Ishtar is another goddess of beauty who envies Freya’s fame and the strength of the Freya Familia.

She harbors a one-sided hostility and tries to strike at Freya by targeting Bell.

Freya, who had ignored Ishtar’s petty grudge until then, cannot forgive this.

She mobilizes her entire familia, annihilates the Ishtar Familia, and personally sends Ishtar back to heaven.

During this conflict, Freya acquires one of the Daedalus Orbs, keys needed to open the artificial dungeon Knossos.

This item later becomes important in other plotlines.

Astraea and Ryuu Lion

Astraea is a rare goddess whom Freya genuinely respects.

Freya’s choice to interact with orphans as Syr is partly inspired by Astraea, who actively mingled with the lower world’s people.

Ryuu Lion, Astraea’s former child and now a waitress at the Hostess of Fertility, becomes one of Freya/Syr’s dearest friends.

Ryuu is so important to Freya that, if Ryuu were to end up with Bell, Freya feels she would step back without interference.

Hermes

Hermes is a wily god who frequently mediates between factions in Orario.

He often acts as a broker and information source for Freya.

In the Xenios (Xenos) incident, Hermes explains the situation to Freya in detail.

He asks her for non-intervention and for a Daedalus Orb, which Freya grants because it suits her goals.

Before he leaves, Freya warns him not to underestimate Bell and risk being outplayed.

Her words prove prophetic as Bell repeatedly defies expectations.

Later, during Freya’s attempt to “rewrite” Orario, Hermes is the one who points out that Bell has not been in Hestia Familia long enough to legally convert.

He suggests the compromise of “half-enrollment,” which Freya accepts as a temporary measure.

Idun

Idun is a goddess from Freya’s homeland and one of the few who dares to lecture her.

She repeatedly scolds Freya for her licentious lifestyle, to the point Freya half-jokes about wanting to strangle her.

Yet Idun’s words about a consort freeing Freya from her yoke become a pivotal influence.

They set Freya on the path of searching for a true partner.

Hera

Hera is described as the “worst and most fearsome goddess.”

Freya once waged war against her and lost, losing many children in the process.

As a result, Freya is bound to Orario through an agreement to assist in the dungeon-conquering “world-saving” efforts.

She deeply resents Hera and dreams of one day pulling her from her throne.

Other Important Relationships

Mia Grand: The longest-standing follower in Freya’s life and the proprietress of the Hostess of Fertility.

Mia treats Freya without deference even though she is a goddess, something that has been a source of comfort to Freya.

Ryuu Lion: Freya’s cherished friend, often by Syr’s side at the Hostess of Fertility.

Freya views Ryuu as as important as Bell and would back off romantically if Bell and Ryuu were to become a couple.

Horn: A female familia member who made a contract with Freya and used transformation magic to impersonate Freya when necessary.

Horn’s role explains earlier scenes where Freya and Syr seemingly existed in separate places.

Bell Cranel: The center of Freya’s obsession, first as a perfect soul to harvest and then as the boy of her first true “love.”

He becomes her ideal hero, then the object of her desperation, and finally the one who saves her from herself.

From volume 1, Freya shadows Bell’s adventure and pushes him toward growth.

He is unaware that many of his “coincidental” trials are carefully staged.

She arranges for dangerous monsters like the Silverback and the One-Eyed Minotaur to cross Bell’s path.

These events traumatize him but also catalyze his rapid progress.

Through Syr, Freya provides Bell with a rare grimoire, triggering the awakening of his magic.

She also sends warnings to Ais Wallenstein by using Allen Fromel and the Gulliver brothers when Ais’s closeness to Bell stirs Freya’s jealousy.

During the War Game between Hestia Familia and Apollo Familia, Freya considers punishing Apollo for targeting Bell.

Instead, she decides the War Game will be a good trial for Bell and chooses to watch.

Even so, she secretly aids Bell’s side.

At the divine council that sets the rules, she helps secure permission for Hestia Familia to use external helpers and, via Syr, gives Bell a “substitute necklace” that proves crucial.

During the Xenos crisis, Hermes asks Freya to stay out of direct involvement in exchange for a Daedalus Orb.

Freya agrees, seeing the situation as advantageous to her and a rich source of entertainment.

From Hermes’s information and Ottar’s reactions, Freya deduces that the minotaur-like Xenos Asterius is the reincarnation of the One-Eyed Minotaur she once set upon Bell.

This realization excites her, and she orders Ottar and others to arrange a rematch between Bell and Asterius.

When Bell faces Asterius again, Freya has her familia block interference from other adventurers.

She watches their fight in rapture, appreciating the culmination of the “trial” she began long ago.

After Bell becomes level 4, Freya stops hiding her interest in him from other gods.

At a divine naming meeting, she jokingly proposes the title “Beauty Goddess’s Consort (Vana-dís Odr)” for Bell, infuriating Hestia.

At a later point, Freya finally moves openly to claim Bell.

She visits Hestia and bluntly asks, “Give me your child—give me Bell,” and is flatly refused.

She then orders her children to attack Hestia Familia, overwhelming them and leaving them critically injured.

Holding them hostage, she demands that Hestia cancel Bell’s blessing so he can convert to her familia, threatening to kill them and send Hestia back to heaven if she refuses.

Hermes appears and points out that Bell has only been in Hestia Familia for about half a year.

Under the rules, a convert must have spent at least a full year with their original familia.

Exposed, Freya accepts Hermes’s compromise: she will take Bell as a “half-member” for six months, after which a formal conversion will be completed.

She then attempts to leave with Bell.

However, Freya decides a mere compromise is not enough.

She resolves to do the one thing she had always forbidden herself—use her charm on a massive scale.

She unleashes her charm across Orario.

Every inhabitant, including gods and mortals, has their memories rewritten so that “Bell was always Freya’s child” from the beginning.

Bell himself cannot be charmed; Freya knows this.

So she instead creates a “box garden” by altering everyone else’s memories, isolating Bell within a world that insists he belongs to Freya.

She continues charm cleanup beyond Orario, targeting people who were out of the city at the time—traveling merchants, adventurers in the dungeon, even residents in the port town of Meren.

Freya’s charm also auto-corrects: if someone begins to notice inconsistencies, their memories reset back to the altered version.

To Bell, Freya explains the situation as if he had always been in Freya Familia.

She invents the story that he was struck by a curse that tricked him into believing he was Hestia’s child.

Freya invites the shaken Bell to her divine chamber.

She then uses a special item, “Status Snitch”, which allows a non-patron god to update a child’s status, to prove to him that he is “hers” in the eyes of the world.

During this status update, Freya learns about Bell’s skill “Liaris Freese (Realist Friese)”, rooted in his overwhelming aspiration.

Realizing this skill is tied to his devotion and dreams, she understands she must erase or overwrite those feelings to fully claim him.

She begins a slow, psychological campaign.

By day, Bell is pushed to the edge of death in “baptisms” against her executives; by night, she soothes him, listens to his memories, then feeds him false ones, gently trying to reshape his mind.

Her goal is to erode his emotional anchors and make herself his sole emotional refuge.

This is the most morally compromised state Freya has ever entered, and even she is aware of the ugliness of her actions.

Meanwhile, Ryuu and Anya, unaffected for various reasons, search desperately for Syr.

Freya appears before them and bluntly reveals that she and Syr are the same person.

She coldly tells them that her helping them in the past was mere divine whimsy.

She demands they give up on Syr as an illusion, causing Ryuu to explode in anger.

Freya then knocks Ryuu unconscious and abducts her, intentionally leaving her uncharmed and confined in their base.

After injuring her dear friend, Freya feels self-disgust but is briefly comforted by Bell’s concern, only to accidentally let her “Syr atmosphere” slip.

Bell calls her “Syr” in confusion, startling Freya.

She angrily dismisses him for daring to utter another woman’s name in her presence, but the moment sparks a chain of self-doubt within her.

Eventually, with Horn’s help, Bell learns the truth about Freya and Syr.

He confronts Freya, who claims that Syr never truly existed and was always just a role.

Bell rejects this, insisting that Syr existed and that her feelings and deeds were real.

He declares that he will save Freya from the pain of her “love,” not by returning it but by ending it.

At that critical moment, Hestia invokes her divine authority “False Flame Sanctuary (Dios Aedes Vesta)”.

Freya’s city-wide charm is shattered, restoring everyone’s original memories and perception of reality.

With the charm undone, Orario erupts into chaos.

Bell’s friends and allies, especially Ais Wallenstein, rage against Freya and begin attacking Freya Familia.

Freya now stands against much of the city, with countless familias joining forces against her.

Still, she refuses to yield Bell without a final gambit.

She proposes a massive War Game, later called the Faction War, between Hestia’s side and Freya Familia.

She stakes all of her and her familia’s achievements and assets, promising that if she wins, she gets Bell.

Freya declares she will fight with only her own familia.

Hestia Familia, by contrast, may recruit as many allies as they wish.

Bell agrees, not because he chooses Freya romantically, but because he wants to save her from her own despair and guilt.

This sets the stage for the largest War Game in Orario’s history.

Freya never appears at the divine meetings to decide the War Game’s format.

Her calm absence shows her confidence in her children’s strength.

Though the Guild fears losing both major familias, it cannot stop the War Game.

Loki Familia is barred from participation to avoid total collapse of Orario’s power structure.

Freya, however, would have gladly accepted Loki Familia’s participation as a perfect chance to settle their rivalry.

She does, however, use an old contract to forbid Ais Wallenstein from interacting with Bell during the Faction War, driven by personal jealousy.

When the War Game begins, the format is “God Hunt,” a hide-and-seek where each side must find the opposing god and pluck the flower pinned to their chest.

Forty-six familias band together in a coalition to fight Freya Familia.

Despite those overwhelming numbers, Freya Familia’s combat strength crushes the coalition.

Even Bell, acting separately, is overwhelmed by Ottar.

Victory seems certain for Freya.

But then Ryuu Lion, having reached level 6, joins the fight, as do Hedin Selland and others who betray Freya’s side to fulfill her true wish.

The Hostess of Fertility staff, having learned Syr’s true feelings through Horn, also join the fight against Freya.

This unexpected defection begins to tip the balance dramatically.

Freya grows increasingly irritated that Syr—her own “false self”—continues to obstruct her.

Her own heart, voiced through Syr, becomes her greatest enemy.

One by one, her children fall in desperate combat.

Even Ottar and the top executives are defeated, leaving Freya alone and unprotected.

Freya then stands face-to-face with Bell with no one left to shield her.

She tries a last-ditch charm, but it has no effect on him.

Stripped of her queenly composure, Freya breaks down in front of Bell.

She laments that she cannot have him and pours out the raw pain and love she has been hiding.

She finally confesses plainly: “I love you, Bell.”

It is her first true confession of romantic love, not divine “love.”

Bell answers not as a consort but as someone determined to save her.

He tells her he cannot become her consort and that the only thing he can do is end her love.

He plucks the flower from her chest, symbolizing both the end of the War Game and the end of Freya’s “first love.”

Her defeat is complete—tactically, emotionally, and spiritually.

After the Faction War, Freya’s prior arrogance and crimes catch up with her.

The verdict is the dissolution of Freya Familia and her expulsion from Orario.

Her children want to follow her, but she orders them to stay in Orario and “become heroes” there.

Any who insist on leaving are threatened with charm to force them to remain, a final stern act born from love.

Hestia, moved by everything that has transpired, proposes a compromise.

Freya cannot remain in Orario as a goddess, but she may stay as a simple town girl.

Freya initially intends to leave anyway, not wishing to disgrace herself further.

But before she can depart, the Hostess of Fertility staff and Bell come to see her.

Ryuu and the others want to stay with “Syr” even knowing she is Freya.

Bell promises to remain by her side as her knight, watching her so she never repeats her mistakes.

Hearing this, Freya finally lets herself cry and reveals her deepest wish: to live not as a goddess but just as a girl.

She chooses to remain in Orario as Syr Flover, abandoning the false, invincible posture of the untouchable beauty goddess.

Her crushing loneliness and existential void are, at last, healed.

She gains a home, friends, and a future she can walk through as herself.

After the Faction War, Freya resumes life as Syr at the Hostess of Fertility.

She works there as she always did, but now with everyone knowing who she really is.

She travels around Orario to apologize to those she wronged, not as a goddess but as an ordinary girl seeking to make amends.

Her romantic feelings for Bell do not vanish, but she accepts her defeat and channels those feelings into teasing and gentle support.

When other gods force her to help with a city-wide adventurer ranking survey as “punishment,” she abuses the process to push Bell into first place.

This selfish survey sparks a confrontation with Lefiya Viridis, who disapproves of her bias.

Formally, Freya Familia is disbanded, but in practice its members remain in Orario under Hestia’s umbrella.

A few gods and Guild officials know this but keep quiet, as the city does not want to lose such a powerful force.

Freya’s former base is confiscated, so she sleeps in the dormitory attached to the Hostess of Fertility.

She frequently hangs out at Hestia Familia’s residence, “Hearthfire Manor,” much to Hestia’s frustration.

Hestia initially tries to bar her entry, fearing that Freya is trying to expand her “territory.”

Freya eventually negotiates limited sleepovers, turning Hearthfire Manor into another place she can just be Syr.

At divine councils, she attends as a server rather than a seated goddess.

Ironically, she now functions as a deterrent: at Hestia’s signal, Ottar can be called to “discipline” any god who suggests ridiculous nicknames or mischief.

When Loki Familia plans a new expedition after eight months, Finn Deimne approaches Syr to mediate with Freya’s former children.

They want powerful former Freya Familia adventurers to join the expedition, showing how central Freya’s network remains.

During the Orariad (Orario Olympiad), Bell is brutally overwhelmed in a match with Leone.

Watching Bell being battered, Freya half-jokingly criticizes Hestia for putting him through such trials.

However, once she hears Hestia’s resolve to prepare Bell for the reality of the black dragon and the world beyond, she understands.

Together, they watch Bell’s ordeal as a necessary step toward the future.

In the Loki Familia rescue operation deep in the dungeon, Freya briefly appears in her goddess form to command Allen Fromel and others.

She is forced to wear a Hostess of Fertility staff uniform in goddess form because nothing else is available, which looks comically wrong and draws Hestia’s teasing.

She is enraged when Meluna and other former Freya Familia members, having joined the Faction Alliance, are killed.

At the same time, she worries over Allen and the others, fearing they will rush to their deaths as well.

When Bell unleashes Vana-dís Tevere on the 60th floor, Freya proudly calls it “our bond,” delighting in the skill’s origin.

Hestia explodes with jealousy, and Heith responds by trying to choke Bell, prompting Freya to remark that Heith obviously loves Bell too.

When Bell manages the seemingly impossible task of saving Tiona Hiryute by burning away her parasite along with himself, Freya is stunned into standing up in shock.

Witnessing Bell achieve another miracle, she smiles and muses that the world has seen enough “god-made heroes”—it now craves an “unknown hero” like Bell.

During the “Water and Light of Fulrand” incident, Freya cooperates with Hestia to rescue Bell and Horn.

In dire emergencies, she no longer hesitates to show her goddess side, though she returns to Syr’s life afterward.

In everyday life, Hestia treats her as Syr, and Freya accepts that with quiet gratitude.

When crises arise, Freya steps back into the role of goddess—to advise, to protect, and sometimes to gently nudge the story forward, always with Bell at its center.

Freya’s author has compared her relationship with Syr to a woman with and without makeup.

Syr is “barefaced Freya,” while Freya the beauty goddess is the fully made-up version.

This metaphor underscores that Syr is Freya’s true face.

The goddess persona is the crafted mask she wears to be the “perfect beauty.”

During the Faction War, each god wore a flower pinned to their chest as a participation mark.

Freya received a purple lilac.

The purple lilac’s flower language includes meanings like “budding love” and “first love.”

It perfectly captures Freya’s emotional state during the War Game and her first true romantic love for Bell.

Bell’s skill Vana-dís Tevere is directly rooted in his feelings for both Hestia and Freya.

The name blends Freya’s divine title with the idea of a blazing protective will.

Bell gives Hestia a bell-shaped hair ornament to symbolize their eternal family bond.

He gives Freya a knight-themed hair ornament to symbolize his promise to guard her as her knight for as long as she lives in Orario.

Together, Hestia and Freya represent the two halves of Bell’s spiritual foundation: family and beauty, hearth and passion.

For Freya, finally being allowed to live as Syr between them is the truest liberation from the yoke of the goddess she could have desired.

(View edit history)

(Last edited time: Dec. 22, 2025, 11:04 p.m.)

💬 Community Discussion

Talk about this anime with people who actually care.

Source: ()
💬 Reply 🗑 Delete
Anibase.Net
The world's largest anime community, which has already been visited by over 100 million people.

Share

Other Characters

View All
Bell Cranel
Bell Cranel
Gender: MaleAge: 14
Voice Actor: Yoshitsugu Matsuoka
Ryuu  Lion
Ryuu Lion
Gender: FemaleAge: 21
Voice Actor: Saori Hayami
Hestia
Hestia
Gender: FemaleHeight: 140cm
Voice Actor: Inori Minase
Ais Wallenstein
Ais Wallenstein
Gender: FemaleAge: 16
Voice Actor: Saori Oonishi
Syr Flover
Syr Flover
Gender: FemaleAge: 18
Voice Actor: Shizuka Ishigami
Revis
Revis
Gender: FemaleHeight: 170 cm
Voice Actor: Sayaka Oohara
View All