Squid Girl

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Squid Girl
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Episodes: 12
Distribution Channel: TV
Story Source: Manga
Release date: Oct. 5, 2010
Work Categories: Anime
Studios: diomedéa
Japanese Name: 侵略!イカ娘
Chinese Name: 侵略!乌贼娘
Korean name: 침략! 오징어 소녀
Romanized Name: Shinryaku! Ika Musume

Characters (16)

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Squid Girl
Squid Girl
Gender: FemaleHeight: 135cm
Voice Actor: Hisako Kanemoto
Eiko Aizawa
Eiko Aizawa
Gender: FemaleAge: 15
Voice Actor: Ayumi Fujimura
Ayumi Tokita
Ayumi Tokita
Gender: Female
Voice Actor: Ayako Kawasumi
Sanae Nagatsuki
Sanae Nagatsuki
Gender: FemaleAge: 16
Voice Actor: Kanae Itou
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Anime Series

Squid Girl Specials
Squid Girl Specials
Release date: May 3, 2011
Squid Girl 2
Squid Girl 2
Release date: Sept. 27, 2011
Squid Girl OVA
Squid Girl OVA
Release date: Aug. 8, 2012
Release date: [[[anime.release_date]]]

Production Staff (31)

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Masahiro Anbe
Masahiro Anbe
Original Creator
Tsutomu Mizushima
Tsutomu Mizushima
Director
Episode Director
Storyboard
Screenplay
Michiko Yokote
Michiko Yokote
Series Composition
Script (ep 1, 2, 4, 5, 8, 10A, 10B, 11A, 12B, 12C)
Manabu Oohashi
Manabu Oohashi
Key Animation (ep 10A)
Layout
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Community Creation

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Squid Girl is a Japanese comedy manga series by Masahiro Anbe, serialized in Weekly Shonen Champion from 2007 to 2016, later adapted into a television anime, original video animations, radio programs, and multiple tie-in projects.

The story centers on Squid Girl, a messenger from the sea who comes ashore to punish humanity for polluting the ocean.

Her grand invasion fails immediately, and she ends up working at a beach house called Lemon to pay for the damage she causes.

What follows is a light, cheerful comedy built around everyday summer life, oddball friendships, and repeated failed attempts at world conquest.

The series became especially well known for Squid Girl’s quirky speech patterns and her mixture of menace, innocence, and childish enthusiasm.

The manga was originally planned as a short five-chapter series.

Its popularity quickly turned it into a full serialization, and it became Masahiro Anbe’s first long-running work.

The anime adaptation boosted the series’ profile even further.

Its catchphrases became popular online in Japan, and the work developed a strong fan following through television, streaming, merchandise, and collaborations.

Before the manga began serialization, Masahiro Anbe had already drawn early versions of Squid Girl on his personal website.

He later explained that those early versions were prototypes and differed from the character as she appeared in the published series.

The idea for Squid Girl began during a trip to Izu with friends from vocational school.

They talked about turning seafood into human-like characters, and Anbe drew a squid-themed girl on the spot.

He liked the design and kept developing it.

The pun-based appeal of squid-themed speech and the comic image of a cute girl suddenly spraying ink helped shape the concept.

The “invader” angle came from Anbe’s dislike of littering and illegal dumping into the sea.

He felt that a character from the ocean would naturally be angry at humans for abusing marine environments.

The series was greenlit after the editor-in-chief of Weekly Shonen Champion saw a planning sketch and liked both the character and the straightforward title.

Inside the editorial office, Squid Girl’s speech style also became a joke, helping the series gain momentum.

Most of the series takes place in perpetual summer.

Although special chapters sometimes depict winter, spring, holidays, or school events, the main timeline barely advances.

This floating-time approach is used openly for comedy.

Characters occasionally make self-aware remarks suggesting that summer has lasted for years.

The main setting is the beach house Lemon, located on a fictional stretch of the Shonan coast in Kanagawa Prefecture.

The manga uses the fictional city name Kurakama, inspired by Kamakura.

In the anime, the beach is shown as Yuigahama.

The seaside setting gives the series a warm, breezy atmosphere, while also making Squid Girl’s fish-out-of-water antics feel natural.

A notable formal feature of the manga is the lack of standard chapter opening pages.

Because of this, early collected volumes can feel unusually seamless from one chapter to the next.

Squid Girl emerges from the sea determined to invade the surface world and punish humanity for its treatment of the ocean.

She chooses the beach house Lemon as her first base of operations because it is close to the shore.

Her plan collapses at once.

After breaking part of the building, she is forced to work there at extremely low pay to cover the repair costs.

Instead of conquering humanity, she becomes entangled with the Aizawa family, local children, beach workers, eccentrics, and self-proclaimed researchers.

The result is a comedy of daily life in which invasion plans constantly give way to games, jobs, festivals, misunderstandings, and friendship.

Squid Girl

Squid Girl is the heroine of the series and is voiced in the anime by Hisako Kanemoto.

She is a squid-like girl from the deep sea who comes to land to invade humankind.

Although she acts proud and speaks like a conqueror, she is often naive, distractible, and easy to outmaneuver.

She works at Lemon while living with the Aizawa family, gradually becoming less of a threat and more of a beloved household member.

She wears a white dress over a white school swimsuit.

Her body includes many squid-inspired traits, most famously ten blue tentacles that function like extra limbs.

These tentacles are highly versatile.

They can stretch, cut objects, perform delicate tasks, and even regenerate if damaged.

Her hat-like head covering is actually part of her body, and removing it would kill her.

The side fins can move freely and also serve defensive purposes.

She can spray squid ink from her mouth and emit light using a mechanism modeled after firefly squid.

Her wristbands can alter her weight, helping her control movement and power.

Squid Girl loves shrimp so intensely that going without it can trigger withdrawal-like symptoms.

She is terrified of natural ocean predators such as sharks and killer whales.

She is surprisingly quick to learn.

She can adapt to mathematics, English conversation, and machinery despite often acting childlike.

Children adore her, often more than she intends.

Ironically, while she wants to be feared as an invader, she is usually treated as an amusing friend.

Eiko Aizawa

Eiko Aizawa, voiced by Ayumi Fujimura, is the second daughter of the Aizawa family and a high school student.

She works as a server at Lemon and serves as the series’ main straight woman.

She is practical, energetic, and blunt.

She is the one who forces Squid Girl to work off the repair bill after the failed invasion attempt.

Eiko often treats Squid Girl with teasing impatience rather than fear.

Still, she teaches her about life on land and frequently helps her in subtle ways.

She is athletic but not as overwhelming as her older sister Chizuru.

Academically, however, she struggles badly, especially with mathematics and English.

She enjoys video games and has a strong fondness for older game systems.

She also dislikes tomatoes, though she eventually overcomes that weakness out of pride.

Squid Girl imagines Eiko as a one-eyed android.

That strange mental image captures their relationship well: part irritation, part fascination.

Chizuru Aizawa

Chizuru Aizawa, voiced by Rie Tanaka, is the eldest Aizawa sibling and the cook at Lemon.

She appears gentle, calm, and smiling almost all the time.

That calm exterior hides one of the most fearsome characters in the series.

When angered, Chizuru displays absurdly superhuman strength and terrifying combat skill.

She can dodge Squid Girl’s tentacle attacks, chop them off, smash holes in walls with her bare hands, and sprint impossible distances as if merely jogging.

Other characters often treat her like something beyond human.

Chizuru is also clever and opportunistic.

She often turns accidents into business ideas, such as using Squid Girl’s ink as inspiration for a menu item.

Despite her power, she is deeply family-oriented and protective.

Anyone who threatens her family or causes trouble around Lemon quickly learns to regret it.

She likes cream puffs, coffee cans, and housekeeping.

In fact, doing housework is so central to her sense of self that being prevented from doing it can upset her.

Her greatest enemy is not Squid Girl or any monster.

It is a scale showing an unbelievable number.

Nagisa Saito

Nagisa Saito, voiced by Azusa Kataoka, is a part-time employee at Lemon and a high school student.

She originally takes the job because she likes surfing.

Unlike almost everyone else, Nagisa immediately recognizes that Squid Girl is not human.

As a result, she is the one person who truly fears her as a dangerous invader.

That fear becomes one of Squid Girl’s favorite things.

For perhaps the first time, someone takes her invasion seriously, which flatters her immensely.

Nagisa is polite, gentle, and earnest, but her fear often leads her to overestimate Squid Girl’s plans and powers.

Over time, this creates a funny reversal in which Nagisa sometimes becomes more invested in the invasion than Squid Girl herself.

She is the younger sister of schoolteacher Aiko Saito.

Squid Girl imagines Nagisa as an angel.

Takeru Aizawa

Takeru Aizawa, voiced by Miki Ootani, is the youngest Aizawa sibling and an elementary school student.

He treats Squid Girl less as a threat and more as a fun older playmate.

He is kind, perceptive, and unusually mature in handling other people’s feelings.

He often helps smooth over conflicts and quietly supports Squid Girl when she is upset.

Takeru studies seriously, improves his English, and works hard at swimming and sports.

Squid Girl respects him as someone who reads the room well.

He calls her “Big Sister Squid Girl,” which reflects the family bond that gradually forms between them.

His calm acceptance of her strange nature helps normalize the entire premise of the series.

Sanae Nagatsuki

Sanae Nagatsuki, voiced by Kanae Itou, is Eiko’s classmate and childhood friend.

She falls in love with Squid Girl at first sight.

From then on, Sanae becomes one of the series’ most extreme comedic forces.

She is obsessively devoted to Squid Girl and has little concern for boundaries, privacy, or personal dignity.

She collects hidden photos, makes goods, spends huge amounts of money on Squid Girl-related items, and often appears at suspiciously convenient moments.

Squid Girl finds her terrifying.

Sanae is repeatedly beaten, flung, or restrained by Squid Girl’s tentacles, yet she treats this as bliss rather than punishment.

This turns their interactions into a running joke built on affection, horror, and complete emotional imbalance.

Despite all of that, Sanae can also be brave when Squid Girl is in danger.

Her love is ridiculous, invasive, and occasionally sincere in a strangely noble way.

Kiyomi Sakura

Kiyomi Sakura, voiced by Kokoro Kikuchi, is a middle school girl who becomes a genuine friend of Squid Girl.

They first meet because of an attempted prank that turns unexpectedly wholesome.

Kiyomi is gentle, honest, and morally steady.

Unlike many others, she simply enjoys Squid Girl’s company without trying to control, fear, or idolize her.

In the anime she is the captain of a girls’ baseball team, while in the manga she is associated with badminton.

She later becomes vice captain of the playful “Invasion Club.”

Kiyomi’s friendship gives Squid Girl one of her most normal and healthy relationships.

That sincerity helps ground the series.

Tomomi Mochizuki, Yuka Nishimura, and Ayano Watanabe

Tomomi Mochizuki is one of Kiyomi’s junior teammates and is voiced by Yumi Uchiyama.

She often joins outings with Squid Girl and likes showing off her figure.

Yuka Nishimura, voiced by Naoko Sugiura, is another junior teammate.

She tends to take initiative in suggesting club activities.

Ayano Watanabe, voiced by Yukari Oribe, is also part of the group in the anime.

Together, they help turn Squid Girl’s “invasions” into cheerful after-school adventures.

Goro Arashiyama

Goro Arashiyama, voiced by Yuuichi Nakamura, is a lifeguard and childhood friend of Eiko.

He takes beach safety extremely seriously and trains constantly.

He has a crush on Chizuru, and Eiko and Chizuru often exploit that fact.

His hidden stash of photos of Chizuru and his phone wallpaper reveal how devoted he is.

Goro and Squid Girl briefly bond over the idea of protecting the sea.

However, he later becomes her rival after she rescues a child and receives praise she thinks should make him worship her.

Although simple-minded, Goro is dependable and brave when doing his job.

He fears ghosts and aliens, but not danger to swimmers.

Tatsuo Isozaki

Tatsuo Isozaki, voiced by Shunzou Miyasaka, is Goro’s coworker and a nonstop flirt.

He boasts of impossible success with women despite being rejected constantly.

He is flashy, unserious, and often irritating, yet not entirely unkind.

He sometimes gives useful advice and remains a regular part of the beach’s social circle.

Cindy Campbell

Cindy Campbell, voiced by Hitomi Nabatame in Japanese and Ema Kokubu in English segments, is part of a United States research group studying extraterrestrial life.

She becomes convinced that Squid Girl is an alien.

Cindy is deeply fascinated by the idea of meeting beings from beyond Earth.

Because almost nobody takes her beliefs seriously, she has become lonely, obsessive, and easy to fool.

She ignores Squid Girl’s insistence that she is from the sea, not space.

At one point she even tries to brainwash her into acting like an alien.

Despite being intelligent, Cindy often behaves absurdly.

She spends much of her time around Lemon, supposedly researching, but often just lingering.

The Three Stooges of the Laboratory

Cindy works with three male researchers often called the Three Idiots.

All of them are highly educated and technically brilliant, yet spectacularly foolish.

Their inventions are astonishingly advanced but usually misused, unstable, or completely unrelated to alien research.

Again and again, they introduce machines that create chaos for Lemon and everyone nearby.

Harris

Harris, voiced by Seiji Sasaki, is the tallest member of the trio and is in charge of experiments.

He is physically the toughest of the three and sometimes handles risky fieldwork.

Clark

Clark, voiced by Katsunori Shou, is the thin inventor with pale hair and a gloomy appearance.

He is responsible for most of the group’s dangerous devices and seems especially fond of bizarre ray guns.

Martin

Martin, voiced by Tetsuo Goto, is the shortest and heaviest member of the trio.

He wears hexagonal glasses and often ends up as the unwilling test subject for Clark’s inventions.

Manager of Minamikaze

The Manager of Minamikaze, voiced by Rikiya Koyama, runs a rival beach house in a neighboring area modeled on the eastern beach of Enoshima.

His establishment is larger and more elaborate than Lemon.

He notices Squid Girl’s popularity and creates imitation Squid Girl headpieces to attract customers.

He is proud of his craftsmanship, though his designs are often grotesque rather than charming.

The manager is controlling, eccentric, and fond of issuing abrupt orders.

He can be difficult to deal with, but he is also an excellent cook and a highly competent businessman.

Ayumi Tokita

Ayumi Tokita, voiced by Ayako Kawasumi, is the manager’s daughter and initially appears as the “Fake Squid Girl.”

She wears a large squid-themed headpiece to entertain children and help the family business.

Ayumi is beautiful and stylish, but painfully shy.

Without a disguise, she struggles even to speak to people.

Working at Lemon helps her gradually come out of her shell.

She becomes more expressive and confident, though she still finds social interaction difficult outside familiar settings.

She is comfortable around animals and people she sees as somehow nonhuman, including Squid Girl.

That creates a strange but charming bond between them.

Aiko Saito

Aiko Saito, voiced by Yuko Ushida, is Nagisa’s older sister and Takeru’s teacher.

She adores her students and becomes jealous of Squid Girl’s popularity with children.

She sees Squid Girl as a rival for the affection of her class.

Squid Girl, naturally, is delighted to have what feels like a proper enemy.

Tanaka

Tanaka, voiced by Mikako Komatsu, appears in the anime as a standout player from a strong girls’ baseball school.

She is impressed by Squid Girl’s athletic talent and wants to recruit her.

Kozue Tanabe

Kozue Tanabe, voiced by Akemi Kanda, is a mysterious woman who once comforts Squid Girl during a moment of discouragement.

She later reappears in a final-volume bonus chapter.

Her strange octopus-like headwear adds to her enigmatic presence.

She feels like a passing dream inside the series’ sunny comedy.

Shinri

Shinri, voiced by Yuka Saitou, is an event host and recurring anime-only side character.

She appears at beach events, competitions, and as a field reporter in later episodes.

Yuta Matsumoto

Yuta Matsumoto, voiced by Yuuko Sanpei, is one of Takeru’s friends.

He is more combative than the others and was the one who introduced the doorbell-dash prank.

Tatsuo Isozaki

Tatsuo Isozaki remains one of the recurring lifeguard-side comic characters.

His nonstop womanizing contrasts with Goro’s earnest seriousness.

Alex

Alex is Sanae’s pet dog.

He is jealous of Squid Girl because Sanae gives her so much attention, and he often behaves aggressively toward her.

Risa

Risa, voiced by Nanako Sudou, is a little girl Squid Girl sometimes meets in the park.

She enjoys playing house and other games with her.

Keiko Furukawa

Keiko Furukawa, voiced by Misato Fukuen in the third original video animation, is a police officer who patrols the area around Lemon.

She is earnest but clumsy and repeatedly suspects odd people without quite understanding what is really happening.

Ruka Shirosugi

Ruka Shirosugi, voiced by Yuko Ushida, is a nurse at a nearby first-aid station.

She is beautiful, highly skilled, and intimidatingly stern.

The manga ran in Weekly Shonen Champion from issue 35 of 2007 to issue 13 of 2016.

It was collected in 22 volumes published by Akita Shoten under the Shonen Champion Comics label.

A Taiwanese edition was published by Chingwin Publishing Group.

Several later volumes were also released in limited editions bundled with anime discs.

Special side stories often placed Squid Girl in non-summer settings such as winter, New Year, Halloween, Christmas, sports day, and White Day.

These chapters gave the otherwise timeless series seasonal variety without significantly advancing the timeline.

The television anime adaptation premiered in 2010.

A second season followed in 2011, and three original animated episodes were later bundled with manga volumes.

First Television Season

The first season, titled Squid Girl, aired from October to December 2010.

It was produced by Diomedéa and directed by Tsutomu Mizushima.

The series used a three-part episode structure.

Because the manga’s chapters were short, the anime often combined multiple chapters into one segment.

Second Television Season

The second season, titled Squid Girl 2, aired from September to December 2011.

Yasutaka Yamamoto directed it, with Tsutomu Mizushima serving as chief director.

The second season continued the same fast, playful adaptation style.

It also brought in later manga material, including information omitted from the first season.

Original Video Animations

Three original animated episodes were released with special editions of volumes 12, 14, and 17.

The first two were issued on DVD, while the third was released on Blu-ray.

These episodes kept the same staff and tone as the television anime.

They were marketed as summer specials and remained closely tied to the manga release schedule.

The anime was based on the manga by Masahiro Anbe.

Series composition was handled by Michiko Yokote, with character designs by Masakazu Ishikawa.

Music was composed by Tomoki Kikuya.

Animation production was handled by Diomedéa.

Sound direction was led by Kazuhiro Wakabayashi, with additional involvement from Noboru Haraguchi in the second season.

The visual identity of the anime closely matched the manga’s cheerful and approachable mood.

The first season opening theme was “Shinryaku no Susume” by Ultra-Prism with Squid Girl.

Its ending theme was “Metamerism” by Kanae Itou.

The second season opening theme was “High Powered” by Sphere.

Its ending theme was “Kimi o Shiru Koto” sung by Hisako Kanemoto as Squid Girl.

The original video animations used “Let’s Shinryaku Time!” as the opening theme.

Their ending themes included “Puzzle” and “Mizer’s Dream.”

Two web radio series were produced in connection with the anime.

Both were hosted by Hisako Kanemoto, the voice of Squid Girl.

First Radio Series

The first program, Hisako Kanemoto x Squid Girl: Ika-su Radio, ran from September 2010 to January 2011.

It was streamed through the official website.

Guests included Ayumi Fujimura, Rie Tanaka, Kanae Itou, Hitomi Nabatame, and Azusa Kataoka.

The program featured comedy corners themed around “invasion” and encouragement.

Second Radio Series

The second program, Hisako Kanemoto x Squid Girl: Shinryaku Radio, Won’t You Listen?, ran from April 2011 to March 2012.

It was distributed through the official site and Cho! A&G+.

It included public recordings and additional guest appearances.

Radio CD compilations were also released.

Both television seasons were released on Blu-ray and DVD.

The releases included bonus materials such as booklet inserts, ending animations, commentary tracks, and novelty extras.

Collected box sets were later issued.

Some releases also bundled the original animated episodes.

The franchise produced multiple music CDs, including character songs, soundtracks, drama CDs, image albums, and radio CDs.

These helped extend the playful personality of the series beyond the anime itself.

The franchise generated a wide range of goods.

These included printed photo products, notebook computers with themed artwork, and store-exclusive bonus items.

A particularly unusual product line presented anime stills as “idol-style photos,” framed as if they had been secretly taken by Sanae.

The concept proved unexpectedly popular.

Several game tie-ins were produced.

These included mobile social games such as Raise Mini Squid Girl and Squid Girl Collection.

The series also collaborated with online games including Trickster, Dragona, Karitomo, and PangYa.

Costumes, pets, themed items, and event content brought Squid Girl into different game worlds.

A notable crossover was with Splatoon, another squid-themed property.

Special collaborative artwork was published, and in-game gear inspired by Squid Girl was added in 2015.

Squid Girl frequently crossed over with other pop culture properties and promotions.

Its seaside aesthetic, bright character design, and strong catchphrase identity made it easy to adapt.

It had repeated connections with Mitsudomoe, another series from the same magazine.

The anime also inspired parody references in other works.

A one-shot crossover with Masahiro Anbe’s later series Atsumare! Fushigi Kenkyubu was published in 2026.

This linked Squid Girl directly with the creator’s next major comedy title.

The series also collaborated with food and retail campaigns.

These included promotions with Yotchan Ika, Pasela, Namco Namjatown, Ministop, and Save On.

One of the franchise’s most famous collaborations was in Super GT.

A Ferrari F430 was decorated in Squid Girl livery and became known as the Squid Girl Ferrari.

The project was presented as if the team had been “invaded” by Squid Girl rather than sponsored in the usual way.

The pit area even recreated the look of Lemon, turning the racing effort into a full thematic performance.

Squid Girl also entered the trading card world through Precious Memories.

Starter decks, booster packs, sleeves, and guidebooks were released for fans of card games.

Squid Girl gained recognition through its charmingly simple premise, memorable heroine, and approachable summer setting.

The anime especially helped spread its appeal to wider audiences.

Its speech quirks and catchphrases became internet memes in Japan.

In 2010, these expressions were recognized in online trend rankings.

The series remains remembered as an easygoing but distinctive comedy.

Its blend of absurdity, warmth, and relentless seaside energy gave it a place among notable 2010s manga and anime comedies.

(View edit history)

(Last edited time: April 12, 2026, 5:31 p.m.)

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